Fantastic Origin of Doom : Fantastic Four Annual #2, and comics that make you want to make comics!
There's an over-the-top quality, mixed in with relatable moments of human behavior, that makes the hey day of Jack Kirby and Stan Lee's work on Fantastic Four such a delight to read. In fact, a friend hired me to create a comic that relies on those two qualities to make it good. The "rules" of those primary-colored Marvel stories, in the early years of the company as we know it since Fantastic Four #1 and the introduction of the present universe of well-known characters, catch on to the carefree intentions that bond the craft work. Taking itself less-than-seriously while portraying straight-ahead drama, Marvel of 1964 and 1965 has character-driven stories and captivating, simple artwork, planned with an effective, tried-and-true sense of "camera angles" that not only defines much of what originally hooked comics fans (with DC, Archie, and numerous other publishers filling in other flavors of mayhem and joy). For my purposes, my friend Mike Parsley'