I just wrote a feature on J.M.'s first superhero work in the post before. Here's the questions John Marc DeMatteis graciously OK’d: Cecil 1. I think one of your thematic abilities involves discovering a character that might have been, alternative takes of who they might have been, when corporate trademarks were editorially guided to be written “a certain way.” “Going Sane” is a story that became a Batman/ Joker story before it became the essence of “Kraven’s Last Hunt,” which then transformed once more essentially into “Going Sane”: your favorite mainstream superhero story. J.M. Stories, like people, have a natural growth curve and we have to honor that as writers. That story led me from Batman to Spider-Man and back again (with some other twists along the way). Since “Going Sane” and “KLH” are two of the best superhero stories I’ve written, I’m glad I had the sense, and patience, to let them guide me along, instead of trying to control them. 2. Tell me about anoth...

Marvel Comics Group- in its phase as a slightly anarchic bastion of experimentation and creativity- published the comics reprinted here from 1976 to 1978, Leading off this volume we have the second half of Steve Gerber's run. The Steve Gerber stories are SO creative and smartly-written, with Buscema's competent layouts and nice superhero art. The ideas are so weird and original! The inks vary a bit in their outcome, but overall I like the Buscema/ Janson combo. If anything, a bit more subtlety in the art would better compliment Steve's restless wit and canny observations. These are not standard sorts of stories on the whole- the villains are strange but thought-provoking. Plots are both bizarre and driven by commentary about the modern world and individual struggles for identity in sublime pop form. Steve Gerber continued writing in comics and cartoons; after he authored Howard the Duck, Omega the Unknown, Man-Thing, and the team-up adventures of the Fantastic Four...