I watched the Avengers all the way through for only the second time, including its cinema debut the summer of 2012, where we went opening day in Horton Plaza, a reliable ways from our first shawarma experience later that afternoon over on Fourth Avenue. Me being my best friend and band mate, Anji Bug. I love how that one post-credit scene, of any of them, does no more previewing than simply showing they socialize. Now, I’m recalling the first of my Marvel Super Heroes. When I’m three, there’s already Spider-Man, and soon after, the Incredible Hulk, who I probably started watching in his first season. I already could read the TV Guide well enough. G-Force is already my favorite superhero team when I’m four, and I love Goldar from The Space Giants, and will meet the Superfriends just before Ultra Man and Spectre Man. Avengers is so great because at its core, it’s got the four of the first five Marvel heroes I found: Hulk, then Iron Man, Cap, and Thor. I’m less sure about Thor, b...

Some well-done, street-level adventure comics, here. Blind attorney Matt Murdock's the Devil of Hell's Kitchen in Frank Miller's tone-changing run, an echo of the approach in Denny O'Neil's Batman stories a decade earlier.  That's, of course, a Barry Windsor-Smith cover- the coloring gives it away, right? Ever realize Denny pioneered the 'secret identity slip' that keyed in Miller's Born Again  storyline with Mazzuchelli?   Art: Klaus Janson  First as editor, then as writer, here's some insights about what made Denny's Daredevil, click. And on Apple: Creatng Marvels: Daredevil

My biggest leap forward in freelance writing in a long time. I talked to such great people, too. That's Back Issue #110! Steve Englehart and Annie Nocenti fans shouldn't miss it. How do you not miss it? Here! http://twomorrows.com/index.php?main_page=index&cPath=98_54 The site! Order yours! Ships January 16th. My thanks again to John Workman, Scott Edelman, Sam Maronie, Harold Parker, Will Alovis, Ken Segal (now there's a sound guy), the Marvel Comics Fans 1961-1986 page on Facebook (for bringing me together with fans and photos) - and especially our hard-working editor, Michael Eury, who also pulled off a move in the middle of a hurricane and got this one out in fine form. NOw that's how you Face Front! I was wrapping up burritos and wrapping up wrapping up burritos when I pitched for this assignment. I tried Marv Wolfman, John Workman...even hovered over a possible phone number for John Romita, Sr. I stayed on the trail, one lead to the next. I ...

The use of limited color palette, monochromatic figures- the stark artwork by Daredevil #183 opens with a claustrophobic set of horizontal close-ups in the disastrously splitting psyche of the school girl on angel dust, whose fall implied by the wide white panel completing Page Three sets off the grimness of the crime story ahead. The one aspect in which it’s escapist resides with Daredevil’s limited super-senses abilities- still amazing-as he explores the hidden layers of the world around him, and the fact that through him, the reader can imagine doing anything graceful and powerful about a very ugly problem caused by very ugly people. "and there will be...a Pun Assured!" So begins the first appearance as written by David Anthony Kraft...wait, no, I can't Gerrymander that origin, in some con way. (They're friends, people, don't get uptight.) Let's just be Frank. Miller. I haven’t gone for preview dirt on The Defenders, save for our convo with Ed Pettis ...