From this very first part, I recognize a fairly faithful adaptation of Stoker's plot and dialogue. What a superb voice: this is the actor who made Dracula exciting for the second half of the 20th century, and his reading will transport you right out of your room and into the story. Can't wait to watch the whole thing! It's based on a graphic novel illustrated by an Alden McWilliams, who did other comics work such as FLASH GORDON and THE MAN FROM U.N.C.L.E., a classicist in style. I believe Ballantine Books published it. I had to share. Such a terrific, clear soundtrack, and Chris Lee reads so beautifully. Myebook - D'n'A Comics #1 As promised: the online version of DNA #1!!!

Part four of our visit with Bram Stoker's novel Dracula (1897) Still stands the unaddressed question: what brings these people together, and what is the nature of their bond? They are done, in my opinion, so well as to make the otherwise exciting invasion of surreal details at first a bit unwelcome to the reader enjoying their relationships, so free of petty bickering and neurosis as to play perhaps a bit too lofty and ideal to be recognizable. While I occasionally had some fun with the formality that might seem stuffy to modern (especially American) eyes, and sent a few silly texts with overlong parody sign-offs one day while reading, I identify with what emerges from Stoker’s text as a sort of devotion fantasy. In this aspect, I find perhaps more interest in them than those whose fascination rests chiefly with Dracula’s baffling abilities, actions, and company. Their ennobling language charms me. Power of the written word to convey depth I believe strongly in the power of lov...

Dracula, Black Magician…Scientist? So, in addition to Dracula’s purported malicious and secretive actions, how further, then, does Van Helsing build the party’s respect and fear of such a cunning villain? For that matter: how does he convince this Party of Light to join him in conducting…magic? In Chapter 18, Van Helsing unveils Dracula’s powers and histories, as researched by his friend in Budapest, Arminius. From Wiki: Details of his early life are obscure, but it seems that Dracula studied the black arts at the academy of Scholomance in the Carpathian Mountains, overlooking the town of Sibiu (also known as Hermannstadt) and became proficient in alchemy and magic.[2] The Scholomance was fabled to be a legendary school of black magic run by the Devil, supposedly located near an unnamed lake in the mountains south of the city of Hermannstadt (now called Sibiu in Romanian) in the Transylvania region of Romania. Emily Gerard, a Scottish author married to a Hungarian cavalryman stati...

Part Two: Supernatural Crime Thriller The mood and pacing of the Dracula novel exists with such urgency—there is a life on the line nearly every page, to the last, fateful entry (November 6th—as is, coincidentally, today)-because it embraces its design as a sort of supernatural crime mystery story, as well as a thematic exercise in vicariously identifying with numerous behaviors exclusive to acceptable Victorian manners (and not only through the titular doppelganger). That urgency is spurred on by the first-hand account nature of the materials assembled (which are then reviewed in the hands of the characters themselves, providing a unique method of interpolating the readers and characters). The helplessness of mortal man or woman, alone, is established throughout the first third of the book. They inhabit such evocatively-described settings, cohesive establishing location; the concern of the voices for one another works with the emotionally-involving descriptions to engross us full...

To enter the world of Dracula as born in the pages of Bram Stoker’s 1897 novel is sleep walk into a night world of mysteries. Every good vampire story, and no less, its Undead Lord, unveils itself in a unhurried tease of facts. I attempted to take myself back to the readership which did not know what was coming next, nor the nature of the menace itself. Only Van Helsing suspects and researches the truth of what they face, and in an age of Victorian reliance on science and common sense, he holds this close to the vest as long as possible, lest none believe him. I realize most of us followed the introduction of the character through his famous movie incarnations, not to mention the proliferation of his and other vampire imagery throughout popular culture. Vampires were long part of folklore, in Japan, India, and the Balkan states from which Stoker drew his gypsies, his Transylvania. Thanks to Stoker, and most of all Legosi, Hammer Films and all that followed, they are part of our...

http://romelittletheatre.com/files_2/Dracula%20show%20poster.pdf http://romelittletheatre.com/ friend got sick waiting for pictures