Captain America (#275-289) I have none of these, but I tended to enjoy J.M. DeMatteis very much, the maturity in his themes and humor, too. I picked up almost every issue of his Justice League run with Keith Giffen by 2000, and bought the mini-series sequels, too. My friend Johann and I put together a radio drama based on my script featuring the JLI and the 2000 Presidential Election, a 13-person cast---so J.M. is a developmental influence on my writing, for sure! These stories seem to have a stronger supporting cast of regular folks (a Spider-Man strength), as well a new "man out of time" to explore in Jack Monroe, a.k.a. Nomad, and a man out of the future lost, too, in the (apparent) guest shot for Deathlok. Glad to see Spider-Woman again here, too; this is just before the Jessica Drew version sort of slips off to character limbo for a long time. Her series under Chris Claremont's really good, especially if you like the unique style of artist Steve Leialoha. I l

#148 Cover: Gwen confronts Spider-Man in freakish pose with spider-abilities. Copy: a word balloon from Gwen. “I know your secrets,” “...and now I'm going to use your own powers to END THIS!” (Pg. 1-4)When they disappear to Jackal's lair with Gwen this time, she's observing their operations and stoking the Jackal's ego in the most vanilla and pleasant way possible. She pokes around and makes the horrifying discovery: Peter's body! (Pg. 5,6)Ned Leeds and Betty Brant both visit Peter, whose embarrassment actually begins as he's answering the door fresh out the shower, expecting only Ned from the knock and the call ahead, so haha, oops, hi ex-girlfriend. Leeds discusses the as-yet-unfounded notion with Peter that this Gwen is a clone. Ned has been researching into the sudden appearance of this second Gwen Stacy, but Betty's actually spent more time with her, which points to how absurd it is not to go to the source. Ned feels like it's a crime

This is part of an alternative storyline, reworking the end of Gerry Conway's run up to #150 with some ideas of mine. #147 Imprisoned, the Tarantula creates new razor pointed shoes and uses them in a murderous break-out. A drug tunnel provides him access back to the United States, where he gets a lift back to NYC, where he's picked up by another bus, driven by the Jackal, who is no one, as he says. The planned rendezvous provides the money forward on the job to cover Tarantula's ride handsomely. As Anna and Mary Jane Watson escort the newly-discharged Aunt May from the hospital, she talks to Mary Jane about Peter. Upset, Mary Jane says she hasn't seen Peter since Gwen Stacy's impossible return, which feels all wrong. Aunt May lets MJ know she appreciates and understands her and her feelings for Peter, so don't give up: love can be a once-in-a-lifetime opportunity. Speaking of Gwen, she's preparing to leave Betty Brant's apartment, where she's