Here's the Hexer Dusk interview as it was published. I'm trying to get the link to show, sorry! Try outrightgeekery.com! From my interview, Jan had this to share on moving from Star Wars to her own publishing venture: JD: Somewhere inside most comic book pros is the idea of a doing something indie and creator owned. I'd approached doing something partly creator owned with other companies, but each time the course of the company changed direction and the project fell through. That's why I think that Kickstater and Indiegogo are so important to the pros in the comic book industry. They give creators a platform to put those indie projects out there for the fans and readers to decide on. What I like most about what I am seeing on Kickstarter is that most of the comics looking for funding are outside of the mainstream--you'll see Western, Horror, Sci-fi, Fantasy, Comedy or a mashup of different genres. It's a creative candy store! I think that the ability to b

The story goes, a motorcycling youth fresh from a stint traveling with the carnival came to New York City, all of 20, 21, hoping to join Marvel Comics Group. David Anthony Kraft arrived with counter-cultural rebellion and a head full of imagination. His high school years spent reading science fiction paper backs in the back of the classroom led straight to a professional status: he took the initiative and inquired about becoming estate executor to pulp writer Otis Adelbert Kline! (I discovered Kline's initials presented as OAK and wondered if that wasn't the inspiration for the "DAK" nomenclature.) Science fiction writer Leigh Brackett (who famously drafted The Empire Strikes Back script) and Marvel's Stan Lee were also formative influences. Fictioneer also published hard back editions of Jack London, Frank Baum, the autobiography of A.E. van Vogt, Robert E. Howard, and E. Hoffmann Price, a colorful ex-soldier and pulp writer who became an early