I was just getting around to Being at the time, but looking back at the early and mid-70s, I have a question that applies to movies, books- even my starting point, comic books, which took on a moody, melancholy aspect, particularly with Marvel Comics, which had just begun its publishing period of the roster of characters that we see in abundance across media and toys, today. What are the causes of the increase in violence and death and overall downbeat tone that defines 1970s storytelling? Do you think the new permissiveness post-60s was at the root of the violence and death portrayed? My first thought was, word was getting back about Viet Nam, and young people were disillusioned with institutions they'd been inculcated culturally to trust. I often think the idealism emerging within the counter-culture was just not manifesting quickly enough, for the impatience of the youth. I'm clear, too, that the rise of counter-culturalism 1) certainly does not match the rural values...

Barry Windsor-Smith plotted, drew and I believe largely colored a mini-series revival of a late Jack Kirby creation with which Marvel had failed to get a publishing hit. The sensibilities of a new generation, and probably some influence from the release of the movie Blade Runner, inspired the fabled Conan the Barbarian artist to bring his delicate, detailed line. I love how the story's colored cinematically. It's a story of one anachronistic marvel, awake in a world that left him for deactivated scrap, who identifies with marginalized, communal rebels. They risk their lives to survive in the capitalist wasteland of surgical video gamers and patrols of droids who terminate with prejudice. And the head of the company whose scrapyards they pick over? The woman who had Machine Man deactivated, decades before: Sunset Bain. Here's a link to my Tik Toks on Machine Man: @cecildisharoon AI gets out of the box: the retrofuturistic Machine Man (Barry Windsor-Smith art) ...

Forgetting is the curse of the Man-Thing...and sometimes, his only blessing. But I haven’t forgotten the Man-Thing. He may be a character you say haunts you. It’s those stories! Man-Thing is the rarest sort of protagonist, in that he is chiefly an unobserved observer, until he tries to intervene and scares the carp out of the water. In 1971, he debuted in a Marvel Comics experiment with adult material, in the form of black and white magazines. SAVAGE TALES #1 features the ill fate of chemist Ted Sallis, betrayed by his lover into the hands of terrorists who want his secret: the new Super Soldier Formula, in the manner of that which once transformed Private Steve Rogers into the apex of human fitness, Captain America. But something there in the swamp works with this imperfect formula, to render Sallis senseless, recreated as a shambling, muck-based mockery of humanity. The experiment didn’t continue, but the Man-Thing, created by Gerry Conway and Gray Morrow, came back a couple ...

David Kempf, a best-selling author found on Amazon and reviewed here before, had nothing whatsoever to do with what you do not like about this video. However, look upon it with beginner's luck, and know David wrote the dialogue and narration on the first page of his delightful new story, There Is Nothing To Fear. He only asked for reviews, you know, so if you like this so much, please get through your stormy weather to give him Five Stars, OK? Now, the black cat is a later addition. You must greenscreen them carefully, but isn't T'Challa grand here for atmosphere? You can find more T-Chall at :

We wrap up the opening storyline of Spider-Man 2099, and look at the first successful alternate timeline series, Guardians of the Galaxy.

Superman and Bat Man- well, Tonto and the Lone Ranger- heck, Butch Cassidy and the Sundance Kid- friendship's always been part of the appeal of our classic heroes. Even Wolverine benefits from someone on his Six, storywise. Now I want to focus on early Marvel- I was fascinated by the way they built a storyverse, with guest stars and shared villains and footnotes connecting your earlier Marvels to the one in your hands. The Hulk/ Thing rivalry kicked off the very same month (in Fantastic Four #12) that Spider-Man visited and antagonized the Fantastic Four for the first time in Amazing Spider-Man #1 (his second appearance, of course). With Spidey, they had an apparent hit on their hands, so why not mix him up with the teen member of their flagship title, the Fantastic Four? While trying to build their nascent - I'm going to use my own term, Heroverse- they repurposed their weird/mystery/UFO/monster titles as vehicles for the new characters. Torch got three years as the co...